Pages: 0-500
A visual that represents the struggle & tone of the story. A snapshot of the main character’s problem, before the adventure begins.
Opens with main character peeking behind stage curtain; watches as another actor begins walking towards her and moves out on the screen. The lights are bright, but she can see a normal attendee sitting out in the crowd, a small red light in his hand. She smiles, knowing he has been in this scene before and wonders how it will go differently. She recalls before when he had not known the outcome and chose to use the shot from the medkit on the alien visitor, killing him. She knows he will not ask her for her advice. It only seems that women ask her opinion, men always tried to figure it out on their own. When he [!flip] does end up killing the alien visitor once again, she is ‘transported’ off the scene for them to try again in the next space adventure.
As she bows with the rest of the actors, she considers the change from the recent years until this year–2077, and how people now value being part of real plays, not just watching them. How her sister and her had always enjoyed being part of them herself–probably contributing to her sister’s work in space.
When she returns to her dressing room, she expects to see the normal message of congrats from her sister on her device*; but instead she sees a message from her estranged father to call her.
* The device is like a watch, but instead is a thin computer that lays on top of the back of her hand.
Pages: 2,500
What your story is about; the message, the truth. Usually, it is spoken to the main character or in their presence, but they don’t understand the truth…not until they have some personal experience and context to support it.
As she contemplates the man who acted again (is he important?), she also reminisces on her father and sister. How he had been supportive until ? and then once his sister went to school to study space, had lost interest in her own wellbeing.
She considers that her sister hasn’t texted her yet, and although she knows something is wrong, she puts off calling her father. (She has often put off important feelings.)
She thinks about how her sister had gone off to work on a space project–she had always been so smart and easygoing. She wishes she could be like her. She thinks about the scar on her arm and how she had gotten it while trying to race her sister in something when she was really young. Maybe this was the last time she had tried to outdo her sister.
“If you really wanted to be a big-league actor, you could have been by now.”
Possible theme: don’t wait to pursue your passions or help by mentoring others
Pages: 500-5,000
Expand on the “before” snapshot. Present the main character’s world as it is, and what is missing in their life.
Still believing something is wrong but not sure how to confront it, she goes to work the next day (Friday) and tells coworkers she will be on leave for awhile. One of her coworkers/friend asks to take her to coffee. (Anxious, she discusses a lost trinket she’s kept from an audience member.)
Quip about there still being long lines for coffee. After talking with a friend–possibly about the sister history in the theme. Friend might state the theme.
She goes home and after a couple anxiety pills, she builds up the confidence to call her dad.
Pages: 5,000
The moment where life as it is changes. It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc. The “before” world is no more, change is underway.
Father answers and tells her that her sister has been in an accident and died. Father reminds her that she is the lesser of the two.
Goes home to meet w/ her father; fighting and confusion about vagueness of her sister’s death.
Maybe she finds a piece of paper/receipt of a payout for the death of her sister.
The space team requests that the main character come to pick up her sister’s personal effects.
While at her sister’s apartment, she meets an adoring fan, with an “opportunity” and asks to take her to dinner.
Goes to dinner. The “fan” asks if she’d be interested in a space mission. Her sister had always spoke so highly of her.
Pages: 5,000-10,000
But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take. Can I face this challenge? Do I have what it takes? Should I go at all? It is the last chance for the hero to chicken out.
Angry that the man was focused on her space knowledge and not her acting skills, she leaves dinner at the fancy place. He says the same: “if you had wanted to go into acting, you’ve already passed up those opportunities.”
Near the exit, she is recognized by a random man who suggests she audition for a role w/ a “star actor.” Eager to make a point, she agrees to stop by auditions next week. NFCs contact information to the man.
Discusses the space opportunity with her friend. Suggested that this could be her “biggest part yet!” and thinking of the fame and glory, she tentatively accepts.
Later, she is phoned the time/place and finds out the audition try-outs are the same time as the orientation.
Pages: 10,000
The main character makes a choice and the journey begins. We leave the “Thesis” world and enter the upside-down, opposite world of Act Two.
She decided to go to the audition instead.
As she makes her way to the audition, she is kidnapped by a van in front of the audition area (which wasn’t really the audition spot.)
Pages: 11,000
This is when there’s a discussion about the Theme – the nugget of truth. Usually, this discussion is between the main character and the love interest. So, the B Story is usually called the “love story”.
She often talks with her guard/kidnapper’s assistant. He was in a play with her when they were younger, but he took a wrong turn in life. His acting skills come in handy as he pretends to be another prisoner, but since they know eachother, it doesn’t quite work. They discuss each other’s lives (his are mostly lies) and he tells her “Now you’ve got that fame you wanted,” as he shows her that her photo is on the news. It seems like he’s in a rough spot and she wishes she could help him. “I wish I could go back in time and do something that actually made a difference in the world.”
Pages: 10,000-25,000
This is when Craig Thompson’s relationship with Raina blooms, when Indiana Jones tries to beat the Nazis to the Lost Ark, when the detective finds the most clues and dodges the most bullets. This is when the main character explores the new world and the audience is entertained by the premise they have been promised.
After her dad pays the ransom, their father/daughter relationship improves. She realizes it is safe but it could happen again. She is fearful of finding another acting opportunity and attempts to resume being a STEM instructor.
Pages: 25,000
Dependent upon the story, this moment is when everything is “great” or everything is “awful”. The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”). But not everything we think we want is what we actually need in the end.
She receives notes encouraging her to go into space. She also thinks back on her kidnapper and wonders what is happening to him. Where does the money go, and how can he get out of the lifestyle?
This is the first time you’ve thought about someone other than yourself.
She tries to meet w/ her kidnapper guy again, but she isn’t able to reach him. She plays with the trinket and realizes there is a secret compartment with a photo of the boy in front of his old house.
She dismisses further acting roles as well as any space orientation, while trying to find this man.
Pages: 25,000-37,500
Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.
The boy’s mother gives her a call and tells her that he agreed to meet with her. She’s excited, but anxious.
When she goes to a local shop, she sees an older photo of her swim team with the swim team and her (coach). The man does not look the same as she had remembered.
They meet for coffee, but he tells her that it was a mistake and that he shouldn’t ever be involved in her life. It is a risk for everyone. She’s sure they can make it work.
Pages: 37,500
The opposite moment from the Midpoint: “awful”/“great”. The moment that the main character realizes they’ve lost everything they gained, or everything they now have has no meaning. The initial goal now looks even more impossible than before. And here, something or someone dies. It can be physical or emotional, but the death of something old makes way for something new to be born.
She meets with her love interest secretly, but as they leave she is confronted by the original kidnapper. Trying to protect her, the love interest is shot. She runs to his mom who grieves and asks her to leave. Devastated, she auditions for a play once again, but realizes that the joy of stardom has left her. She wishes that she could still go to space, but the deadline has passed.
Pages: 37,500-40,000
The main character hits bottom, and wallows in hopelessness. The Why hast thou forsaken me, Lord? moment. Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc. But, you must fall completely before you can pick yourself back up and try again.
She grieves. She receives another letter.
Pages: 40,000
Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.
She wants to be part of something greater than herself, and so she decides to finally make the leap and go to the space station. Lots of paperwork and confidentiality.
She looks back at the trinket of the smiling boy and thinks about what he had said.
Pages: 40,000-49,500
This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story. Act Three is about Synthesis!
Asks to give the audience member acting skills. Watch for cues, etc.
Fools the kidnapper by using her acting skills along with the help from the audience member/actor.
Pages: 49,500-50,000
Opposite of Opening Image, proving, visually, that a change has occurred within the character.
One last thing—those notes… weren’t from your sister. (They were originally written by your grandmother)